{"id":2452,"date":"2021-05-01T16:50:21","date_gmt":"2021-05-01T15:50:21","guid":{"rendered":"https:\/\/mohai.conlang.org\/?p=2452"},"modified":"2021-10-02T19:38:35","modified_gmt":"2021-10-02T18:38:35","slug":"what-does-chung-te-sound-like","status":"publish","type":"post","link":"https:\/\/mohai.conlang.org\/?p=2452","title":{"rendered":"Chung Te phonology"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">Modern <strong>Chung Te<\/strong> is the main language of the empire of <strong>Chung Y\u00ed<\/strong>. It has a total of thirty-two phonemes. Their sounds vary a little according to their phonetic environment. They are arranged in simple syllables.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Vowels<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The language has a symmetrical ten vowel system. There are five points of vowel articulation and two tones. The low tone is the default tone so it is transcribed here without a diacritic. The high tone is shown by an acute diacritic.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><\/td><td><em>Front<\/em><\/td><td><em>Central<\/em><\/td><td><em>Back<\/em><\/td><\/tr><tr><td><em>High<\/em><\/td><td><strong>i<\/strong>, <strong>\u00ed<\/strong><br>\/i, \u00ed\/<\/td><td><\/td><td><strong>u<\/strong>, <strong>\u00fa<\/strong><br>\/u, \u00fa\/<\/td><\/tr><tr><td><em>Mid-Lown<\/em><\/td><td><strong>e<\/strong>, <strong>\u00e9<\/strong><br>\/\u025b, \u025b\u0301\/<\/td><td><\/td><td><strong>o<\/strong>, <strong>\u00f3<\/strong><br>\/\u0254, \u0254\u0301\/<\/td><\/tr><tr><td><em>Low<\/em><\/td><td><\/td><td><strong>a<\/strong>, <strong>\u00e1<\/strong><br>\/a, \u00e1\/<\/td><td><\/td><\/tr><\/tbody><\/table><figcaption>Chung Te vowels<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Monophthongs keep their full value in all kinds of syllables. Where two vowels meet and one is a high vowel, a diphthong is formed. A high vowel in a diphthong is reduced. Both vowels must share the same tone. This is shown by the presence or absence of an acute diacritic on the non-high vowel:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ai, <strong>\u00e1<\/strong>u, u<strong>\u00f3<\/strong><\/strong>, etc.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Where two vowels of differing tones meet in compounding the resulting diphthong takes the tone of the non-high vowel. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If both vowels are high, the stressed vowel dominates. It is unreduced and passes its tone to the other vowel.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Consonants<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The language has twenty-two consonants. There are three series of stops (voiced, voiceless and aspirated), along with small sets of fricatives and sonorants. <\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><\/td><td><em>Lab<\/em><\/td><td><em>Alv<\/em><\/td><td><em>Pal<\/em><\/td><td><em>Vel<\/em><\/td><td><em>Glot<\/em><\/td><\/tr><tr><td><em>Nas<\/em><\/td><td><strong>m<\/strong><br>\/m\/<\/td><td><strong>n<\/strong><br>\/n\/<\/td><td><strong>ny<\/strong><br>\/\u0272\/<\/td><td><strong>ng<\/strong><br>\/\u014b\/<\/td><td><\/td><\/tr><tr><td><em>Stop<\/em><\/td><td><strong>b<\/strong><br>\/b\/<\/td><td><strong>d<\/strong><br>\/d\/<\/td><td><\/td><td><strong>g<\/strong><br>\/g\/<\/td><td><\/td><\/tr><tr><td><\/td><td><strong>p<\/strong><br>\/p\/<\/td><td><strong>t<\/strong><br>\/t\/<\/td><td><\/td><td><strong>k<\/strong><br>\/k\/<\/td><td><\/td><\/tr><tr><td><\/td><td><strong>ph<\/strong><br>\/p\u02b0\/<\/td><td><strong>th<\/strong><br>\/t\u02b0\/<\/td><td><\/td><td><strong>kh<\/strong><br>\/k\u02b0\/<\/td><td><\/td><\/tr><tr><td><em>Affric<\/em><\/td><td><\/td><td><\/td><td><strong>j<\/strong><br>\/d\u0292\/<\/td><td><\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><strong>c<\/strong><br>\/t\u00e7\/<\/td><td><\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><strong>ch<\/strong><br>\/t\u00e7\u02b0\/<\/td><td><\/td><td><\/td><\/tr><tr><td><em>Fric<\/em><\/td><td><\/td><td><strong>s<\/strong><br>\/s\/<\/td><td><strong>x<\/strong><br>\/\u00e7\/<\/td><td><\/td><td><strong>h<\/strong><br>\/h\/<\/td><\/tr><tr><td><em>Liq<\/em><\/td><td><\/td><td><strong>l<\/strong><br>\/l~\u027a\/<\/td><td><\/td><td><\/td><td><\/td><\/tr><tr><td><em>Gld<\/em><\/td><td>(<strong>w<\/strong><br>\/w\/)<\/td><td><\/td><td><strong>y<\/strong><br>\/j\/<\/td><td><strong>w<\/strong><br>\/w\/<\/td><td><\/td><\/tr><\/tbody><\/table><figcaption>Chung Te consonants<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The absence of \/<strong>r<\/strong>\/ is noticeable. However, the sound of <strong>l<\/strong> is very variable. It can become an alveolar lateral flap \/\u027a\/ for some speakers.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Suprasegmental Features<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Chung Te is a syllable-timed language. Only the following syllable types are allowed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>(C)V(N)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>N<\/strong> represents any of the nasal sonorants listed in the table above.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Primary stress falls invariably on the penultimate syllable of a word. Secondary stress falls on alternate syllables before that.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Dialects<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The language has always had numerous dialects. Historically it has had two standard forms. The first was based on northern forms, particularly the speech of the old capital, <strong>Han Kuetung<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Empire expanded south and west towards the coast. The capital was therefore moved. The modern language is based on southern forms, particularly the estuarine dialects around the modern capital, <strong>Han M\u00e1ichi<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nowadays, Chung Y\u00ed is a large and varied empire, so its language still has several dialects. The population is young and growing fast so new forms of the language continue to develop. Speech patterns are also coloured by the fact that many Chung Y\u00ed citizens only speak Chung Te as a second language.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Writing System<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Chung Te is written natively in a syllabary. Writing may be from left to right or top to bottom. Characters are predominantly curvilinear. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Characters may appear in one of two distinct styles. The <strong>Traditional Script<\/strong> was originally written with a writing brush and calligraphy was highly prized. This script has a fluid look reminiscent of Chinese or Japanese.  The <strong>Modern Script<\/strong> is a product of the machine age and has a simpler, streamlined look.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In theory, either script may be used at any time. In contemporary practice, the Traditional Script is favoured in artistic, religious and nationalistic contexts whilst the Modern Script is favoured in scientific, technical and business environments. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Schools teach the modern script first and the traditional one much later. Advertisers  make use of either script depending on what impression they wish to convey. Graphic designers often use one script for headings and the other for body text to differentiate the two elements.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The sound of Tekuo&#8217;s most widely-spoken language.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[142],"tags":[203,147,65,148],"class_list":["post-2452","post","type-post","status-publish","format-standard","hentry","category-languages","tag-chung-te","tag-dialects","tag-phonology","tag-writing-systems","entry"],"_links":{"self":[{"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/posts\/2452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2452"}],"version-history":[{"count":9,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/posts\/2452\/revisions"}],"predecessor-version":[{"id":2925,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=\/wp\/v2\/posts\/2452\/revisions\/2925"}],"wp:attachment":[{"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mohai.conlang.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}