Modern Chung Te is the main language of the empire of Chung Yí. It has a total of thirty-two phonemes. Their sounds vary a little according to their phonetic environment. They are arranged in simple syllables.
The language has a symmetrical ten vowel system. There are five points of vowel articulation and two tones. The low tone is the default tone so it is transcribed here without a diacritic. The high tone is shown by an acute diacritic.
Monophthongs keep their full value in all kinds of syllables. Where two vowels meet and one is a high vowel, a diphthong is formed. A high vowel in a diphthong is reduced. Both vowels must share the same tone. This is shown by the presence or absence of an acute diacritic on the non-high vowel:
ai, áu, uó, etc.
Where two vowels of differing tones meet in compounding the resulting diphthong takes the tone of the non-high vowel.
If both vowels are high, the stressed vowel dominates. It is unreduced and passes its tone to the other vowel.
The language has twenty-two consonants. There are three series of stops (voiceless, aspirated and ejective), along with small sets of fricatives and sonorants.
The absence of /r/ is noticeable. However, the sound of l is very variable. It can become an alveolar lateral flap /ɺ/ for some speakers.
Chung Te is a syllable-timed language. Only the following syllable types are allowed:
The N represents any of the nasal sonorants listed in the table above.
Primary stress falls invariably on the penultimate syllable of a word. Secondary stress falls on alternate syllables before that.
Chung Yí is a large and varied empire, so its language has many dialects even in the modern age. The population is young and growing fast so new forms of the language continue to develop. Speech patterns are also coloured by the fact that many Chung Yí citizens only speak Chung Te as a second language.
Chung Te is written natively in a syllabary. This may be used in one of two distinct styles. The Traditional Script was originally written with a writing brush and has a fluid look reminiscent of Chinese or Japanese. The Modern Script is a product of the machine age and has a simpler, streamlined look.
In theory either script may be used at any time. In practice, the Traditional Script is favoured in artistic, religious and nationalistic contexts whilst the Modern Script is favoured in scientific, technical and business environments.
Schools teach the modern script first and the traditional one much later. Advertisers make use of either script depending on what impression they wish to convey. Graphic designers often use one script for headings and the other for body text to differentiate the two elements.